“From the pen of Robert W. Smith has come some of the most impressive writing for contemporary bands and wind ensembles. THE DIVINE COMEDY, a monumental four-movement work, is presented along with other memorable compositions on this compact disc, which features conductor Anthony Maiello and the George Mason University Wind Ensemble. Titles include The Divine Comedy (The Inferno/Purgatorio/Paradiso/The Ascension) * The Tempest * Africa: Ceremony, Song and Ritual * Twelve Seconds to the Moon and others.” —Alfred Music
Schaub and Schaub, “Dante’s Path: A Practical Approach to Achieving Inner Wisdom” (2004)
“Dante’s Path: A Practical Approach to Achieving Inner Wisdom is primarily a self-help book. However, it is a self-help book with a difference. Authors Bonney Gulino Schaub and Richard Schaub use their perceptive, though simple reading of Dante’s Divine Comedy to guide their readers through a process that allows them to access their internal wisdom, or ‘wisdom mind,’ to achieve liberation from their fears and to realize their deeper potential.” [. . .] —Amazon
See also Dante’s Path: Vulnerability and the Spiritual Journey (2014) and Il potere di Dante: Un cammino di illuminazione per una vita piena e felice (2021), by the same authors.
Yann Martel, “Life of Pi” (2003)
“I read a great new book called Life of Pi by Yann Martel that draws from the Commedia. It deals with religion and a pilgrimage of sorts. Also, the narrator/author specifically states a desire to tell his story in exactly 100 chapters (which he does). Are there parallels between Virgil and Pi’s tiger? It’s tough to say-I guess you could find some loose similarities between the two figures. The tiger acts as a guide for Pi in the realm of animal survival, helping him to overcome his civilized taboos and do whatever it takes to live. Also, training the tiger and getting enough food to keep it healthy gives Pi a purpose, and keeps him from being overcome by the immensity of his predicament. Pi professes love and admiration for the tiger on many occasions. The book is a really clever religious allegory, and it challenges you to read it on all four levels of interpretation Dante discusses in his letter to Can Grande. It’s a Commedia for the disillusioned 21st century cynic.” –Chris Moxhay
Matthew Pearl, “The Dante Club” (2003)
“1865 Boston, a small group of literary geniuses puts the finishing touches on America’s first translation of The Divine Comedy and prepares to unveil the remarkable visions of Dante to the New World. The powerful old guard of Harvard College wants to keep Dante out–believing that the infiltration of such foreign superstitions onto our bookshelves would prove as corrupting as the foreign immigrants invading Boston harbor. The members of the Dante Club–poets and Harvard professors Henry Wadsworth Longfellow, Dr. Oliver Wendell Holmes, James Russell Lowell and publisher J. T. Fields –endure the intimidation of their fellow Boston Brahmins for a sacred literary cause, an endeavor that has sustained Longfellow in the hellish aftermath of his wife’s tragic death by fire.” —Matthew Pearl
Nick Tosches, In the Hand of Dante (2002)
“Deftly blending the sacred and the profane, Tosches boldly casts himself as the protagonist in his latest novel, an outrageously ambitious book in which he procures a purloined version of the original manuscript of ‘The Divine Comedy’ while tracing Dante’s journey as Dante struggled to complete his penultimate work. The initial chapters find Tosches looking back and questioning the results of his fascinating life and career, with a brief but devastating aside about the decline of publishing. But Tosches suddenly emerges from his morbid nostalgia when a former character named Louie (a gangster from Tosches’s Cut Numbers) gets his hands on a stolen copy of Dante’s manuscript and asks Tosches to authenticate it. That sends the author on a whirlwind tour to Arizona, Chicago, Paris and then London as he tries to verify the work and then determine its worth on the open market.” [. . .] –Publishers Weekly, Amazon
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