“The 73-year-old director’s serene meditation on Europe’s landscape after battle has an unusually obvious triptych structure, with each panel (or act) named for one of Dante’s three ‘kingdoms.’ The central, hour-long ‘Purgatory’ of a writers’ conference in Sarajevo bridges the opening 10-minute ‘Hell’ and a concluding 10-minute ‘Heaven.'” [. . .] –J. Hoberman, The Village Voice, November 24-30, 2004
“Inferno & Paradiso” a photojournalistic exhibit in South Africa (2001)
“. . .World renowned artist/photographer Alfredo Jaar curated this show which is presented as a collaboration between the SANG, the BildMuseet in Umea, Sweden, and Riksutstallningar, the Swedish Travelling Exhibitions Organisation. His curatorial method was this: ‘I invited 18 photojournalists from around the world to contribute two images to the exhibition (inspired by Dante Alighieri’s Divine Comedy). For ‘Inferno’ I asked them to select the single image that was the most difficult to produce, the one that caused the most pain and anguish. And for ‘Paradiso’, the most joyful one, the one that has given them the most happiness in the world.’ ”
–Sue Williamson, Art Throb
Contributed by Charlie Russell (Bowdoin, ’08)
“Foxtrot” by Bill Amend (December 2006)
Contributed by Charlie Russell-Schlesinger (Bowdoin, ’08)
Chris Sullivan, “Dante’s Divine Comedy” (2006)
Photo by Chris Sullivan
Anna Booth, “Inf. XXVI” (2006)
Photo by Anna Booth
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