“Inexpressibly happy that even in the utter chaos, Dante was able to say a few words at the party. Not what the quote wall is for, but it will do.” –Darren Fishell (Bowdoin, ’09)
Found at Fumettotex (retrieved on February 10, 2008)
Citings & Sightings of Dante's Works in Contemporary Culture
“Inexpressibly happy that even in the utter chaos, Dante was able to say a few words at the party. Not what the quote wall is for, but it will do.” –Darren Fishell (Bowdoin, ’09)
Found at Fumettotex (retrieved on February 10, 2008)
“. . .One popular genre consists of scenarios of hell. An entire wall of the exhibition is devoted to a play called ‘The Twice-Visited Netherworld,’ a sort of Dante’s Inferno in which a scholar receives a special tour of the torturous ‘Yellow Springs’ described in Chinese folk religion. One startlingly vivid set piece shows a skeletal figure being boiled in oil (the punishment for blackmail and slander); in another, pierced and bloody bodies languish on Knife Mountain (home to those who have killed people or animals). As the legend of Emperor Wu of Han suggests, shadow theater has always had a powerful connection to the afterlife.” [. . .] –Karen Rosenberg, The New York Times, February 8, 2008
From Chapter One:
“Lucifer’s sin is what thinkers in the Middle Ages called ‘cupiditas.’ For Dante, the sins that spring from that root are the most extreme ‘sins of the wolf,’ the spiritual condition of having an inner black hole so deep within oneself that no amount of power or money can ever fill it. For those suffering the mortal malady called cupiditas, whatever exists outside of one’s self has worth only as it can be exploited by, or taken into one’s self. In Dante’s Hell those guilty of that sin are in the ninth circle, frozen in the Lake of Ice. Having cared for nothing but self in life, they are encased in icy Self for eternity. By making people focus only on oneself in this way, Satan and his followers turn their eyes away from the harmony of love that unites all living creatures.
The sins of the wolf cause a human being to turn away from grace and to make self his only good–and also his prison. In the ninth circle of the Inferno, the sinners, possessed of the spirit of the insatiable wolf, are frozen in a self-imposed prison where prisoner and guard are fused in an egocentric reality.” –Philip Zimbardo, The Lucifer Effect (2007)
Contributed by Aisha Woodward (Bowdoin, ’08)
“On February 22, 2002, Romeo Castellucci was assigned the title ‘Chevalier des Arts et des Lettres’ by the Ministry of Culture of the French Republic in the person of Cathérine Tasca. In 2007 Romeo Castellucci was nominated ‘Artiste Associé’ by the artistic direction of the Festival d’Avignon for the 62nd edition in 2008. Here he presented the powerful trilogy Inferno, Purgatorio, Paradiso inspired by Dante’s Divine Comedy.
In 2010 Le Monde named the trilogy dedicated to the Divine Comedy the best play and one of the ten most influential cultural events in the world for the decade 2000-2010.” — Peak Performances
Click on the following links to read reviews of Castellucci’s Inferno and Purgatorio by Jean-Pierre Léonardini (trans. Isabelle Métral).
All submissions will be considered for posting. Bibliographic references and scholarly essays are also welcome for consideration.
Coggeshall, Elizabeth, and Arielle Saiber, eds. Dante Today: Citings and Sightings of Dante’s Works in Contemporary Culture. Website. Access date.