“This painting was commissioned by [Dyce’s] friend, the Victorian prime minister WE Gladstone, a great Dante enthusiast. The model for Dante’s heroine was – at Gladstone’s request – Marian Summerhayes, an artist’s model and former prostitute “rescued” by the Liberal politician. It is possible that Dyce also used some photographic studies of the sitter to work from, which could explain the pensive stillness of his Beatrice, who is painted in three-quarter view and has a sculptured quality about it.
‘Dyce’s Beatrice sits serenely, her downcast eyes concentrating on something we cannot see within the picture space, thus elevating herself from this present to another time and place.” [. . .] –Griffin Coe, The Guardian, May 3, 2021
This entry is part of the Guardian’s Great British Art Tour 2021
