“While in the two preceding cantos Peter Damian and Saint Benedict vehemently incriminate the corruption of prelates and monastic orders, in Paradiso 23 invective gives way to rhapsody. The canto begins with Beatrice looking up eagerly at the saints – a looking up which is part of the outside of the mind experience that Dante’s guide encourages him to have. In their conversation on the canto, James Torrens and Brenda Schildgen discuss the various registers that Dante uses to express this experience of going beyond the mind as well as to speak of the Virgin Mary. The language goes from sublime to humble for ‘the Virgin herself represents that humility, on the one hand, and the sublime on the other’. As Dante uses a wide range of poetic registers, so does he use a wide range of images of the Virgin – early images as well as images drawn from the vernacular versions. Enjoy!” —Leonardo Chiarantini
Watch or listen to the video of “Paradiso 23: Preview of the Finale” here.
Canto per Canto: Conversations with Dante in Our Time is a collaborative initiative between New York University’s Department of Italian Studies and Casa Italiana Zerilli-Marimò, and the Dante Society of America. The aim is to produce podcast conversations about all 100 cantos of the Divine Comedy, to be completed within the seventh centenary of Dante’s death in 2021.
