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“Observations on Heaven from Dante’s Paradiso That Also Apply to These Stills of Linda Hamilton”

January 19, 2020 By lsanchez

“In a literary and historicist sense, Dante’s Divine Comedy was a multi-volume narrative poem that advanced some notable theological suppositions about the afterlife as well as some hot takes about Italian political and religious figures of the age and also working in some somewhat yikes fantasies about Dante’s crush, Beatrice, and idealized bromance with dead poet Virgil. In a looser, more abstract, in some ways more honest sense, though, Dante’s hysterically adulating depictions of Heaven and his crush Beatrice hanging out in it in Paradiso are also about what a fucking unreal silver fox Linda Hamilton is in the latest Terminator offering, Dark Fate. (Mackenzie Davis gays, you will have your day; this one is mine.)

When Dante was writing about being so overcome with emotion at the luminous landscape of Paradise that he was unable to speak, he may have been originally referencing an extremely specific medieval Catholic spiritual concept — but we have the benefit of centuries of context and wisdom that Dante did not, and can see that in another, more accurate way, they also reference the fact that Linda Hamilton remains an untouchable smokeshow, and is arguably even more of one than when she originally featured as my root in Terminator 2.”    –Rachel, Autostraddle, October 9, 2019

Categories: Performing Arts, Written Word
Tagged with: 2019, Beatrice, Divine Comedy, Films, LGBTQ, Movies, Paradise, Paradiso, Virgil

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Coggeshall, Elizabeth, and Arielle Saiber, eds. Dante Today: Citings and Sightings of Dante’s Works in Contemporary Culture. Website. Access date.

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