“A theatergoer’s heart could be forgiven for sinking upon learning that the production she was scheduled to see at Theater for the New City was a riff on Dante called ‘The Divine Reality Comedy’ and featured a ‘Born to Buy’ critique set in ‘Paradise.’ But that heart lifted upon hearing that Peter Schumann’s ragtag collective, the Bread and Puppet Theater, was the company undertaking said riff.” [. . .] –Claudia La Rocco, The New York Times, December 1, 2007