Rachel Donadio‘s article for The New York Times, “Russian Artists Face a Choice: Censor Themselves, or Else,” discusses the difference between legislation and enforcement of censorship in contemporary Russian theater.
“Russia has a thriving theater scene and a constitution that bans top-down, Soviet-style censorship. But in a time of economic turmoil and growing nationalism, with society polarized in unpredictable and emotional ways over the new laws and the war in Ukraine, cultural figures say the message from the government is clear: Fall in line with the emphasis on family and religious values, or lose funding, or worse.
“‘It’s about betrayal — those who betray are put in the Ninth Circle of Hell, like in Dante,’ Kirill Serebrennikov, a prominent theater and film director and the director of the Gogol Center, a cornerstone of Moscow’s theater scene, said in a recent interview here. The result, he said, was to put writers and directors ‘between Scylla and Charybdis — between censorship or self-censorship.'” —The New York Times
Read the entire article here.
