“This new edition of Dante’s great work brings together for the first time the three volumes of the Hollander translation with the art of internationally recognized illustrator Monika Beisner. Beisner has created 100 detailed paintings for this publication, making her the first woman credited with illustrating the entire work. The set begins with an introduction by Carlo Carena and a foreword by Academy Award winning actor Roberto Benigni, known for his lectures and dramatic recitations of Dante’s poem. The third volume ends with an appreciation by writer and cultural historian Marina Warner entitled ‘Monika Beisner: Illuminating Stories.’ Warner writes, ‘The hundred miniatures took her seven years to complete and the achievement is dazzling. The present volume reproduces her work full-size, … with no strokes or drawing visible, but a pure glow of dense color, applied with brushes so small they consist of a half-dozen sable hairs.… Monika Beisner has been scrupulously loyal to Dante’s text, rendering gesture and position as described in the poem as well as its unsurpassed precision of spatial, geographical and temporal coordinates.’ ” [. . .] —Oak Knoll Press
Alberto Martini’s Illustrations of the Divine Comedy (1901-1944)
“In 1901, Vittorio Alinari, head of Fratelli Alinari, the world’s oldest photographic firm, decided to publish a new illustrated edition of Dante’s ‘Divine Comedy.’ To do so, Alinari announced a competition for Italian artists: each competitor had to send illustrations of at least two cantos of the epic poem, which would result in one winner and a public exhibition of the drawings. Among the competitors were Alberto Zardo, Armando Spadini, Ernesto Bellandi, and Alberto Martini.” [. . .] —Open Culture, November 6, 2013
“Divine Triptych” Digital Art
“The Divine Comedy is an exploration of the relationship between literature, 3D, stereoscopy and hand-drawn illustration. Inspired by Dante Alighieri’s and Gustave Dore’s classic works, technical artist William Dube and I recreate Dante’s epic quest through Hell, Purgatory and Heaven. The work was made in Maya and Mudbox.” —Behance
Rachelle Meyer, The Divine Comedy (2014)
“Every Litograph design emerges from the text of a book. [. . .] This 24 x 36 inch print includes the full text of Inferno from the Henry Wadsworth Longfellow translation of The Divine Comedy. The 18 x 24 inch print includes approximately the first three quarters of Inferno.” —Litographs
“Dalí: A Divina Comédia” at CAIXA Cultural São Paulo (2013)
“The 100 illustrations that Spanish surrealist painter Salvador Dali did in the 1960s to mark the 700th anniversary of Dante Alighieri’s ‘The Divine Comedy’ are being exhibited in Sao Paulo, the last stop on a tour of Brazil.
“The exhibition, which runs until Oct. 27 [2013], is being held at the Caixa Cultural in Sao Paulo.” [ . . . ] —EFE, September 2, 2013
Contributed by Vanessa Teixeira
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