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Marco Santagata, Come donna innamorata (2015)

April 20, 2017 By Professor Elizabeth Coggeshall

Dante-Santagata-2015-come-donna-innamorataMarco Santagata’s 2015 novel Come donna innamorata — based on Dante’s biography, on which Santagata has also published — was a finalist for the Premio Strega. See the publisher’s description below:

“Come si può continuare a scrivere quando la morte ti ha sottratto la tua Musa? È questo l’interrogativo che, l’8 giugno 1290, tormenta Dante Alighieri, giovane poeta ancora alla ricerca di una sua voce, davanti alle spoglie di Beatrice Portinari. Da quel momento tutto cambierà: la sua vita come la sua poesia. Percorrendo le strade di Firenze, Dante rievoca le vicissitudini di un amore segnato dal destino, il primo incontro e l’ultimo sguardo, la malìa di una passione in virtù della quale ha avuto ispirazione e fama. È sgomento, il giovane poeta; e smarrito. Ma la sorte gli riserva altri strali. Mentre le trame della politica fiorentina minacciano dapprima i suoi affetti – dal rapporto con la moglie Gemma all’amicizia fraterna con Guido Cavalcanti –e poi la sua stessa vita, Dante Alighieri fa i conti con le tentazioni del potere e la ferita del tradimento, con l’aspirazione al successo e la paura di non riuscire a comporre il suo capolavoro…È un Dante intimo, rivelato anche nella sua fragilità, e nelle sue ambiguità, quello che Marco Santagata mette in scena in un romanzo che restituisce le atmosfere, le parole, le inquietudini di un Medioevo vivido e vicino. Il sommo poeta in tutta la sua umanità: lacerato dall’amore, tormentato dall’ambizione, ardentemente contemporaneo.” — Guanda

See Giuseppe Fantasia’s review in the Italian edition of Huffington Post here.

Categories: Written Word
Tagged with: 2015, Beatrice, Biographies, Fiction, Italy, Novels

Inferno: A Poet’s Novel by Eileen Myles (2010)

February 18, 2017 By Professor Elizabeth Coggeshall

Eileen-Myles-Reading-Inferno“I was completely stupefied by Inferno in the best of ways. In fact, I think I must feel kind of like Dante felt after seeing the face of God. My descriptive capacity just fails, gives way completely. But I can tell you that Eileen Myles made me understand something I didn’t before. And really, what more can you ask of a novel, or a poet’s novel, or a poem, or a memoir, or whatever the hell this shimmering document is? Just read it.” — Alison Bechdel

“From its beginning — ‘My English professor’s ass was so beautiful.’ — to its end — ‘You can actually learn to have grace. And that’s heaven.’ — poet, essayist and performer Eileen Myles’ chronicle transmits an energy and vividness that will not soon leave its readers. Her story of a young female writer, discovering both her sexuality and her own creative drive in the meditative and raucous environment that was New York City in its punk and indie heyday, is engrossing, poignant, and funny. This is a voice from the underground that redefines the meaning of the word.” — OR Books

Read an excerpt here, or listen to Myles read an excerpt here.

Categories: Written Word
Tagged with: 2010, Fiction, LGBTQ, Memoirs, Novels, Poetry

Gillian Flynn, Gone Girl (2012)

October 21, 2016 By Professor Elizabeth Coggeshall

gone-girl-movie-still-abandon-all-hopeIn both the book and the movie Gone Girl the main character, Amy, says about marriage: “Marriage is compromise and hard work, and then more hard work and communication and compromise. And then work. Abandon all hope, ye who enter.”

For the 2012 book by Gillian Flynn, see the Gone Girl page on Flynn’s website.

For the 2014 film directed by David Fincher, see the film’s official website.

Contributed by Autumn Friesen (University of Texas ’16)

Categories: Performing Arts, Written Word
Tagged with: 2012, 2014, Abandon All Hope, Fiction, Films, Novels

Carl L. Harshman and Ryan D. Harshman, “Dante’s Cubicle: Paving the Road from Hell in Corporate America” (2015)

May 28, 2016 By Professor Arielle Saiber

Untitled“This is a business fiction, but . . . the stories are based on real life events. Michael, a young, enthusiastic engineer in his first full-time job, narrates life with this “worker bee” colleagues in the world of cubicles. The colleagues are a diverse group of individuals one is likely to find in such a setting. Early in the book a mysterious character appears to engage Michael in dialogues about what is going on in the Archangel Corporation. This mysterious individual provides perspective and occasional advice to Michael on what he is experiencing and how he might engage it going forward. Everyone who has worked in an American corporation can identify with Michael’s and the group’s experiences and gain some perspective on the alternatives during the journey.”    —Amazon

Categories: Written Word
Tagged with: 2015, Corporate America, Fiction, Hell, Work

Dimitry Elias Léger, God Loves Haiti (2015)

March 10, 2015 By Professor Arielle Saiber

9780062348135

Does God love my damaged country? This novel’s central question is a Dante paraphrase, and Dimitry Elias Léger’s central character, artist Natasha Robert, is “a self-proclaimed Caribbean-born daughter of Dante.” The Divine Comedy inspires her faith and her art, which features crucifixes, “Dante’s circles of hell,” “a forgiving, Haitian-looking Jesus.”  When the 2010 earthquake strikes Port-au-Prince, she is at the airport with her new husband, Haiti’s President, about to board a plane that will take them into exile in Italy.

Post-quake, in a world of white dust and broken bodies, Natasha’s first response is to pick a fight with Dante: “Dante was wrong, she thought. This is what hell is like. In hell, you’re alive but everyone and everything that you love is dead and destroyed, and you don’t know what to do or say. Dante didn’t get it. You had to die or receive this kind of news to truly glimpse hell.” The President, meanwhile, lies flat on the tarmac, trying out a near-death vision of his political predecessors arguing with Saint Peter over their place in eternity. Natasha’s lover, Alain Destiné, waits out most of the novel in refugee camp purgatory, posing variations on the question “God, how could You?”

If you are looking for The Divine Comedy in God Loves Haiti, imagine what Dante’s three-story structure might look like after an earthquake. In Léger’s narrative landscape, Inferno, Purgatario, Paradiso are collapsed onto each other in a heap of dust and rubble. There’s room to regret past choices; there’s no clear route to paradise. Yet in the hellish expanses of destruction Léger manages to uncover shards of redemptive beauty and even a medieval plot twist: his eventual solution to the love triangle is far more Beatrice than Beyoncé.    –Julia Boss

 

Categories: Written Word
Tagged with: 2015, Fiction, Haiti, Natural Disasters, Port-au-Prince

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Coggeshall, Elizabeth, and Arielle Saiber, eds. Dante Today: Citings and Sightings of Dante’s Works in Contemporary Culture. Website. Access date.

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