In the last days of 2020, the image below was circulating on various social media platforms (Instagram, Twitter, and Facebook):
Contributed by Irene Zanini-Cordi (Florida State University)
Scenes From the Mountain, a score for Purgatorio by Zachary Cheng (2020)
Scenes From the Mountain is a musical score for Purgatorio by Zachary Cheng (DeMatha Catholic High School ’21).
Of his composition, Cheng writes: “This small movement, which is only around six-and-a-half minutes long, was incredibly difficult to complete despite its length. I returned to it many times over quarantine though I could not seem to find any musical ideas that would stick with me. That changed for the better when I returned to the work in late August and decided to shift my approach. Instead of specifically cataloguing the tale of Dante, I decided to use music to describe the general environment of the Mountain of Purgatory. This ended up giving me more musical freedom. I also shifted the orchestration from a traditional orchestra towards something I am much more familiar with, that being the wind ensemble. The specific movement here encapsulates the base of the mountain (Canto I) up to just before the Valley of Princes (Canto VII).”
The score, with Cheng’s interlinear notes, are available to view here. Listen to it on Soundcloud.
The DeMatha Wind Ensemble (pictured) recorded a performance of Scenes from the Mountain in April 2021.
Many thanks to Zachary Cheng and his teacher, Mr. Homer Twigg of the Department of Theology at DeMatha Catholic High School, for permission to share the composition.
COVID-19 and Dante’s Inferno
“Dante Alighieri’s Divine Comedy is undeniably a timeless classic. Its grand adventure through the nine gates of hell sparks readers with life and interest. It seems like an out-of-place work for a description of our chaotic times, but I believe it is a lot more relatable to us than we might think in the most unlikely of ways. So what can readers take from this classic besides grand allusions to the past?
“Perhaps it is with the old that we can come to better understand the new. Perhaps we can come to a new perspective on the world and its isolated communication due to COVID-19 through this classic. Much like we are now, venturing alone except through the cyberways of technological communication or daily filial visits, Dante with his guide Virgil treaded a path of darkness to the center of hell to understand and experience the dark side of the world. We too traverse a pathway of ‘hell’ — not a literal one, of course, but rather a figurative pathway of undiscovered and problematic turmoil for the human condition.” –Jayden Montalvo, Johns Hopkins Newsletter, 2020
Read the full article here.
Rauschenberg’s Dante in the Time of Pandemic
“Dante’s three-part epic poem portrays the journey souls take after death. Essentially a socio-economic commentary on Florentine life, with strong moral undertones and focus on the human condition, its themes can be adapted to any time. Today, in the face of Covid-19, the 700-year-old Commedia resonates strongly. Now is a perfect time to reflect on the work through its visual depictions. Although countless artists have illustrated the work since its medieval publication – Sandro Botticelli, Gustave Doré, and John Flaxman, to name a few – modern artists have shown how its relevance lives on to this day. Perhaps the most progressive modern rendering of Dante’s epic to date is seen through the work of artist Robert Rauschenberg (1925-2008).
“Dante is ambiguous in his writing on the Sodomites, reflecting the reticence surrounding the subject of homosexuality in his day. Rauschenberg mirrors this ambiguity in his illustration with an empty speech bubble beneath a red outline of his own traced foot. The tracing inserts Rauschenberg into the narrative just as Dante the Poet occasionally appears in the text, separate from Dante the Pilgrim, a personal touch that is seldom seen in Commedia illustrations.” [. . .] —Flora Igoe, The Art Story Blog, 2020
See Rauschenberg’s full Inferno series here.
“Will Coronavirus Continue to Hold SEC Football Hostage?”
“A fall without college football sounds like the wickedest episode of the ‘The Twilight Zone’ or maybe even one of Dante’s nine circles of Hell.” –Terry J. Wood, Fayetteville Flyer, July 28, 2020
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