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See more: Mallory Ortberg, The Toast, September 8, 2015
Citings & Sightings of Dante's Works in Contemporary Culture

[…]

See more: Mallory Ortberg, The Toast, September 8, 2015
In 2006, artists Susan Cervantes and Ellen Silva collaborated on a series of Dante-themed murals for the walls of Dante Hall, at Saint Mary’s College of California.
“The powerful imagery of Dante’s Divine Comedy is leaping off the page and onto the walls of Dante Hall, where artists are transforming the drab first-floor corridor with colorful murals of Inferno, Purgatorio and Paradiso.
“Shawny Anderson, associate dean of the School of Liberal Arts, proposed the project in 2005 for a class which never came to be, but the idea resonated with the school’s leaders.
“‘I always thought that the halls of the College should ‘sing’ of the authors they honor,’ Anderson says.” –Debra Holtz, “Visualizing Dante,” St. Mary’s College of California News
See Ellen Silva’s page here.
“A movie-night selection made by Dolce’s boyfriend, a gracious Brazilian advertising executive named Guilherme Siqueira, had provided the inspiration for this season’s Alta Moda collection: the 1999 version of “A Midsummer Night’s Dream,” directed by Michael Hoffman and starring Michelle Pfeiffer, which was filmed in Italy. Dolce explained, ‘When you see this movie, you go, “This is like a dream in Portofino.”‘
“He and Gabbana had been struck by the film’s vision of an Italian countryside populated with characters drawn from ancient Greek myth: Theseus, the mythological founder of Athens, and his betrothed, Hippolyta, the Amazonian queen. The forthcoming fashion show, Dolce said, was an attempt to imagine the result of a triple collaboration: ‘Homer, the visionary; Dante, the poet of Purgatory and Paradise, with Beatrice, la bellezza; and Shakespeare, with the crazy humor.'” — Rebecca Mead, “The Couture Club,” The New Yorker
The New York Times Magazine published the above watercolor by Bernard Frize as a visual accompaniment to Yusef Komunyakaa’s poem “Longitudes”:
Longitudes
Before zero meridian at Greenwich
Galileo dreamt Dante on a ship
& his beloved Beatrice onshore,
both holding clocks, drifting apart.
His theory was right even if
he couldn’t steady the ship
on rough seas beyond star charts
& otherworldly ports of call.
‘‘But the damn blessed boat
rocked, tossing sailors to & fro
like a chorus of sea hags
in throes of ecstasy.’’
My whole world unmoors
& slips into a tug of high tide.
A timepiece faces the harbor —
a fixed point in a glass box.
You’re standing on the dock.
My dreams of you are oceanic,
& the Door of No Return
opens a galactic eye.
If a siren stations herself
between us, all the clocks
on her side, we’ll find each other
sighing our night song in the fog.
— “An Artist and a Poet Find Beauty in Solitude,” The New York Times Magazine
Over the Garden Wall is a cartoon mini-series on Cartoon Network, based on Patrick McHale’s short animated film Tome of the Unknown. It centers on a young poet, Wirt, and his half-brother Greg, as they travel through a dark forest called “The Unknown”. They are accompanied by a talking bluebird named Beatrice. The mini-series has ten episodes; the latter nine loosely correspond to the circles of hell in Dante’s Inferno.
Visit this site for a closer look at the correspondences between the Inferno and Over the Garden Wall.
To visit the show’s blog on Cartoon Network, click here.
Contributed by Kate Peterson
All submissions will be considered for posting. Bibliographic references and scholarly essays are also welcome for consideration.
Coggeshall, Elizabeth, and Arielle Saiber, eds. Dante Today: Citings and Sightings of Dante’s Works in Contemporary Culture. Website. Access date.