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Citings & Sightings of Dante's Works in Contemporary Culture
By lsanchez
“‘The only way we’re going to lose this election is if the election is rigged,’ Trump told supporters at a rally in Wisconsin last month. He has repeatedly made versions of that claim, at one point exhorting North Carolinians to monitor polling sites and ‘watch all the thieving and stealing and robbing’ by Democrats, who will work to lift Biden to victory by ‘doing very bad things.’
“And it’s a perfect example of Trump’s tendency to assign his own motives and methods to others. He worries that they’ll cheat because he has always cheated — on his taxes, on his wives, in his business dealings, in his philanthropy. He imagines them cheating because he actually is cheating.
[. . .]
“But Trump’s cheating is its own virus, infecting everyone around him. Trump’s cheating is its own ecosystem. Abandon all scruple, ye who enter here.” — Frank Bruni, “From Trump, No Respect for Ruth Bader Ginsburg, or the Rules,” New York Times (September 19, 2020)
Contributed by Dan Christian
By lsanchez
“Among the Times photographs, there is an image of a Black protester in Atlanta, cutting through the smoke, his open palms raised. He cries out, a vox clamantis in deserto, in righteous rage against the injustice that killed George Floyd, Rayshard Brooks, Tony McDade, Breonna Taylor, and countless other Black Americans. His defiant approach is a picture of the words Virgil uses to describe his charge at the entrance to Purgatory: ‘He goes seeking freedom, which is so precious, as one knows who gives up his life for its sake.’
“The freedoms demanded by this protester — economic, legal, political, bodily — are material ones. He seeks liberation from ‘the policies that ensnare‘ Black Americans in an unjust system. These freedoms are substantially different than the immaterial freedom sought by the pilgrim in his journey up the mountain. The freedom Dante’s pilgrim seeks, like that which we seek to restore to our civic institutions, is a moral one: the freedom of moral integrity, which comes from the alignment of one’s actions with one’s principles.” —Dante Today co-editor Elizabeth Coggeshall, “Bad Apples and Sour Trees: Dante on Systemic Injustice, Rage, and Reform,” The Sundial (September 15, 2020)
“Angels are like technology. Dante has to create a new language to describe the indescribable. What is extraordinary in the natural world is a tool to represent what is itself beyond representation. These are only some of the themes that [Dante Today founder] Arielle Saiber and Guy Raffa discuss in their conversation on Paradiso 28, a canto that is, in many respects, a canto of transitions – from material to immaterial, from looking down to looking up and forward.” -Leonardo Chiarantini
Canto per Canto: Conversations with Dante in Our Time is a collaborative initiative between New York University’s Department of Italian Studies and Casa Italiana Zerilli-Marimò, and the Dante Society of America. The aim is to produce podcast conversations about all 100 cantos of the Divine Comedy, to be completed within the seventh centenary of Dante’s death in 2021.
All submissions will be considered for posting. Bibliographic references and scholarly essays are also welcome for consideration.
Coggeshall, Elizabeth, and Arielle Saiber, eds. Dante Today: Citings and Sightings of Dante’s Works in Contemporary Culture. Website. Access date.