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Citings & Sightings of Dante's Works in Contemporary Culture

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“L’Aquila, il ‘Girone dei golosi’ torna nel centro storico”

December 17, 2019 By lsanchez

“Un’altra attività torna nel centro storico dell’Aquila. Sabato 25 agosto, alle 19, in via dell’Arcivescovado 25, riaprirà al pubblico, in una veste inedita e accattivante, la caffetteria ristorante il “Girone dei golosi”. Il locale e i relativi arredi sono stati progettati e realizzati interamente da artisti abruzzesi.

[. . .]

Il Girone dei golosi si presenta come un caffè artistico, con la presenza di quattro quadri appositamente realizzati dall’artista Srek (Stefano Cencioni), ispirati al Girone dei Golosi, nel Sesto canto dell’Inferno di Dante dove i dannati, sommersi dalla fanghiglia, vengono graffiati da Cerbero, mostro a tre teste.”    — L’Aquila, Abruzzo News, August 23, 2018

Categories: Dining & Leisure
Tagged with: 2018, Cerberus, Circles of Hell, Gluttony, Inferno, Italy, L'Aquila, Restaurants

Dante’s Florence on the Apple App Store

November 11, 2019 By lsanchez

 

 

 

“Did you know that you can still find a famous rock, called Dante’s Stone, where nineteenth-century travelers, including Mark Twain and Wordsworth, once paid homage to the great poet? Have you seen the oldest fresco of Dante? It’s in a restaurant, but they’ll let you in to see it even if you don’t eat there.

 

[. . .]

 

“The user interface has been streamlined to be intuitive and responsive. You can select any of its approximately one hundred points of interest either from the menus or the two interactive maps. Each document was written by professional medievalists who put what you’re seeing into historical context. The fruit of our archival research and years of study is presented in a witty and fun style that teaches while it entertains.”    –Quod Manet, LLC, Apple App Store, 2018

 

Categories: Consumer Goods
Tagged with: 2018, Apps, Florence, Italy, Monuments, Plaques, Statues

“La Divina Commedia trova nuova vita nei cinguettii di Twitter”

September 13, 2019 By Alexa Kellenberger FSU '22

“La copertina sfondata, le pagine squarciate. Du-rante la Seconda Guer-ra Mondiale una copia della Divina Commedia frenò un proiettile vagante, evitando lamorte al proprietario che la custodiva in tasca. «È la provache Dante può salvarti la vi-ta», scherza Pablo Maurette,raccontando l’episodio. Questo 38enne argentino, professore di letteratura comparataa Chicago, è il protagonista di una rivoluzione culturale checorre su Twitter: la lettura, partecipata, del capolavoro di Dante ai tempi dei social.

“La formula è semplice: un canto al giorno, per centogiorni. Si legge, ognuno per conto proprio, poi si inizia a twittare per commentare leterzine e cercare spunti di analisi: i cinguettii si trasformano in note a piè di pagina. Il risultato? Un successo planetario. Dal Messico al Cile, dalla Francia all’Australia, migliaia di utenti di lingua spagnola (una bolgia, verrebbe da dire) hanno lasciato ogni speranza per unirsi al viaggio 3.0 guidato da Virgilio.” [. . .]    –Filippo Femia, La Stampa, February 2, 2018.

You can read the full article on La Stampa.

See other posts related to #Dante2018 here.

Contributed by Pablo Maurette (Florida State University)

Categories: Written Word
Tagged with: #Dante2018, 2018, Collective Reading, Italy, Journalism, Pablo Maurette, Social Media, Turin

Kathia Recio’s #Dante2018 Illustrations

September 6, 2019 By Alexa Kellenberger FSU '22

Kathia Recio is a graphic artist from Mexico City. During the #Dante2018 social media movement, Recio created a series of illustrations for the Divine Comedy. Pictured above are a few of her illustrations, which you can view on her Instagram. Clockwise from the top left, this the link to the first illustration, the second illustration, the third illustration, and the fourth illustration.

You can check out more of Kathia Recio’s work on her Instagram and on her website.

See other posts related to #Dante2018 here.

Contributed by Pablo Maurette (Florida State University)

Categories: Image Mosaic, Visual Art & Architecture
Tagged with: #Dante2018, 2018, Art, Artists, Illustrations, Mexico, Mexico City, Social Media

Florencia Gutman’s Artwork for Purgatorio 33

September 6, 2019 By Alexa Kellenberger FSU '22

Florencia Gutman is an illustrator and graphic designer based in Buenos Aires, Argentina. Her work has been published in a number of outlets, such as La Nación newspaper, Adn Cultura, and Anfibia digital magazine, among numerous others. As part of the #Dante2018 social media movement, Gutman created the above illustration for Purgatorio 33.

To check out more of Gutman’s stunning work, you can follow her on Facebook, Behance, and you can visit her website.

See other posts related to #Dante2018 here.

Contributed by Pablo Maurette (Florida State University)

Categories: Image Mosaic, Visual Art & Architecture
Tagged with: #Dante2018, 2018, Argentina, Art, Artists, Buenos Aires, Design, Illustration, Purgatorio

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Coggeshall, Elizabeth, and Arielle Saiber, eds. Dante Today: Citings and Sightings of Dante’s Works in Contemporary Culture. Website. Access date.

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