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Guy Denning’s Oil Painting Series on the Commedia

February 10, 2019 By Professor Elizabeth Coggeshall

Guy Denning is an artist based out of Finistere, France since 2007. Beginning in 2011, he created a three part series of oil paintings based on Dante’s Divine Comedy. The image above is a painting called “ch’io ‘l vidi uomo di sangue e di crucci” from his first series, ‘Inferno‘ (2011).

“In 2011 he presented ‘Inferno’, the first part of his three-part series of oil paintings on Dante’s Commedia in Bologna; this was his first exhibition in Italy and the complete exhibition sold out.
In 2011, he presented the second part of the series in New York City for the exhibition ‘Purgatorio’. Originally drawing inspiration from Dante’s writings, his intention was not to recreate the poem in a visual or literal sense, but instead let the ‘Purgatorio’ series act as a framework for his own personal interpretation of the world following 9/11. As with the writing of Shakespeare, Denning finds a perpetual relevance in Dante’s work where the specifics of name, situation and place are easily adapted to the modern world; as if time moves on but the problems of humanity remain essentially the same. The events of September 11th and the emotional toll it took on the US identity was a critical element to this body of work. Poignantly enough, this exhibition was held in a ‘pop-up’ location just blocks from Ground Zero and on the 10th Anniversary of the 9/11 attacks.” [. . .]    —Widewalls Magazine, 2017

On exhibition set- “Inferno”

“This was the first part of my paintings based on Dante’s Divine Comedy. Inferno was exhibited at my first solo exhibition in Italy at MAGI’900 Museo, Bologna.”     –Guy Denning, on his site, January 19, 2017

On exhibition set- “Purgatorio”

“This was the second part of my paintings based on Dante’s Divine Comedy. Purgatorio was exhibited in Manhattan at a pop-up gallery space by Brooklynite Gallery on the tenth anniversary of the 9/11 attacks.”    –Guy Denning, on his site, January 30, 2017.

The image above to the right is a painting called “the cardinal virtue of media temperance” from the ‘Purgatorio‘ exhibition.

On exhibition set- “Paradiso”

“This was the third part of my paintings based on Dante’s Divine Comedy. Paradiso was exhibited at Signal Gallery in London.”    –Guy Denning, on his site, January 27, 2017.

The image below is a painting called “Looking for Beatrice” from the ‘Paradiso‘ exhibiton.

To view Denning’s full list of exhibitions, check out his website here

Categories: Image Mosaic, Visual Art & Architecture
Tagged with: 2011, 2017, Art, Beatrice, Finistere, France, Inferno, Paintings, Paradiso, Purgatorio

Nine Circles of Finals Hell at UConn

February 1, 2019 By Professor Elizabeth Coggeshall

“For those of you who blew off going to class a majority of the semester, than you will most definitely find yourself in one of the nine circles of finals hell: limbo, lust, gluttony, greed, anger, heresy, violence, fraud, or treachery.

“First Circle: Limbo:
‘Ignorance is bliss’ as some might say. In the beginning stage of finals hell, we all like to tell ourselves that we’ll eventually get around to studying. But in reality, your studious friends are camped out in Laurel Hall, and you spend the two weeks leading up to finals taking all the naps you don’t deserve in those comfy chairs at the Benton.” — The Black Sheep Online Staff, The Black Sheep Online, December 11, 2017

Read the full article here.

Categories: Written Word
Tagged with: 2017, Circles of Hell, Connecticut, Student Life, University

Savannah Fire on the Serengeti

January 26, 2019 By Professor Elizabeth Coggeshall

savannah-fire-serengeti-2017“Fire ecology is a fascinating subject. I always get a bit of a buzz when I find a fire image in Snapshot Serengeti. Fire is a major component of savannah ecosystems and the grasses and trees within them have evolved along with fire, some to such an extent that they cannot exist without the occasional burn…

“As the dry season progresses the deep verdant greens start to fade to yellow, the temperature mounts into the high 30’s and the strong Harmattan winds pick up. The landscape is a mosaic of tall savannah grasslands divided by fingers of thick lush riverine habitat. The climatic conditions bring violent lightning storms which, given the tinder dry grasses, can trigger natural bush fires. Of course this process is random, not every patch of grass will burn every year unlike the human induced fires that sweep this part of Central African Republic year after year.

[. . .]

“The day I have been dreading finally comes. Fire is spotted 5km from the camp and it is racing towards our fire break, a team rushes out to light a back burn to try and stop it in its tracks but the wind does us no favours and within hours we can see the flames as they burn behind the camp perimeter. I am feeling panicky but although it looks like Dante’s inferno the danger has passed as the fire makes its way along the north side of the airstrip. Then disaster strikes the wind, capricious as ever, changes direction just as the fire reaches the end of the airstrip and a great gust of hot ash and embers jumps the fire break and the fire starts racing up the south side of the airstrip. And all hell breaks loose; we never expected it to get into this block.” — Lucy Hughes, Snapshot Serengeti, March 1, 2017

Read more of the article here.

Categories: Places
Tagged with: 2017, Africa, Central African Republic, Fire, Serengeti

Fire in Guatemala at Children’s Shelter

January 26, 2019 By Professor Elizabeth Coggeshall

guatemala-childrens-shelter-fire-2017“A fire that raged in a home for abused children in Guatemala killed at least 35 people, mostly girls, and doctors on Thursday described their shock at the severity of the burns suffered by two dozen more hospitalized victims.

“‘I’ve been doing this for 29 years. What I saw yesterday was a scene from Dante,’ said Juan Antonio Villeda, director of the San Juan de Dios hospital, where victims with extremely serious burns were being treated. Villeda was alluding to the 14th-century poem The Inferno by Italian author Dante Alighieri that depicts punishments suffered in Hell.

“The fire broke out on Wednesday in a wing of the government-run Virgen de la Asuncion home near San Jose Pinula, 25 km (15 miles) southwest of Guatemala City, as some residents allegedly set mattresses ablaze after an escape attempt the night before.” — Sofia Menchu, Reuters, March 8, 2017

Read more about the fire here.

Categories: Places
Tagged with: 2017, Children, Fire, Guatemala, Hell, Inferno

Infernal Topography: Alpaca’s Illustrated and Interactive INFERNO

January 19, 2019 By Professor Elizabeth Coggeshall

“The illustrated and interactive Dante’s Inferno, an alternative learning tool for the Divine Comedy first Cantica, made for aiding visual memory. [. . .]

“The work is based on the anthology ‘Testi e scenari’ – Volume 1 (Panebianco, Pisoni, Reggiani, Malpensa), published by Zanichelli in 2009, and it has been developed by Alpaca together with the Molotro design studio. [. . .]

“The project won the Grand Prix and Gold prize for Didactics at IIID Awards 2017, by the International Institute of Information Design.” [. . .]    —Alpaca Società Cooperativa, 2017

The project was also created with the support of Società Dante Alighieri.

Check out the site here to experience the interactive abilities and full scope of Inferno, Illustrated.

You can check out more of Alpaca’s design projects here, and you can check out more from Molotro here.

Categories: Visual Art & Architecture
Tagged with: 2017, Design, Illustrations, Inferno

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How to Cite

Coggeshall, Elizabeth, and Arielle Saiber, eds. Dante Today: Citings and Sightings of Dante’s Works in Contemporary Culture. Website. Access date.

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