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Citings & Sightings of Dante's Works in Contemporary Culture

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Apparitions from the Inferno

January 17, 2020 By lsanchez

“A series of Black and White photographs produced using alternative manual processes, featuring scenes from Dante’s Divine Comedy.

[. . .]

Many of my previous works have referenced classical literature and mythology (Hamlet, Maenads, etc). The subject of this project involves creating intimate portraits of characters referenced in Dante Alighieri’s Divine Comedy. Specifically, I will be illustrating a number of souls from the first book in the series: The Inferno. I have had a long standing interest in the graphic quality and descriptiveness that Dante dictates in this work, and I believe that my photographic style and choice of medium will do great justice in giving life to these characters. I greatly admire the works of the Great Illustrator/Printmaker Gustave Dore, and my favorite contemporary Artist/Printmaker Barry Moser, who have both produced amazing images inspired by Dante. In the works of the aforementioned artists, high contrast renderings of often graphic and disturbing images are manifested through their respective mediums to present a dark underworld and its inhabitants as described by Dante. My intention is to bring Dante’s characters out of the realm of illustration and breath life into them through photographic realization, thereby actualizing their spirits (in a very surreal and ethereal manner) as real people.”    –John Ransom, Kickstarter, August 3, 2013

Categories: Odds & Ends
Tagged with: 2013, Art, Divine Comedy, Inferno, Kickstarter, Photography

“La Divina Commedia”: ceramic artist Lee Yun Hee

September 20, 2019 By Alexa Kellenberger FSU '22

“Lee Yun Hee weaves Eastern and Western influences to offer a contemporary re-interpretation of both aesthetic and literary traditions, constructing a fantasy world that speaks of hope, strength and determination.

“Young ceramic artist Lee Yun Hee (b. 1986, South Korea) majored in Ceramics at both BFA and MFA levels at Seoul’s Hong Ik University. Lee calls herself a collector. What she collects are everyday stories of the common people, about their desires and wants, their fears and anxiety, and ultimately ‘the cure’ they seek to overcome the challenges and difficulties of life. There is much that she can relate to during her collections, for she is after all also human. Yet, it is not the hardships she clings to, but those ‘cures’ that each person resorts to. [. . .]

“Lee created her latest series entitled ‘La Divina Commedia‘ in 2013. Her inspiration came from Divina Commedia (Divine Comedy), the renowned 14th century epic poem by Italian poet and writer Dante Alighieri. The literary work recounts Dante’s travels through Hell, Purgatory and Paradise. In Lee’s contemporary take, the heroine of the story is a young girl who runs against all odds to overcome the trials and tribulations of life.” [. . .]   —Art Radar, August 11, 2015.

To view more of Lee’s ceramic artwork, you can visit her website.

Contributed by Anita Verna Crofts.

Categories: Visual Art & Architecture
Tagged with: 2013, Art, Artists, Ceramics, Seoul, South Korea

Getting Fired because of Dante’s Inferno

July 11, 2019 By Gabriel Siwady '19

“Recently, there have been a number of Employment Tribunal cases focusing on employees’ Facebook posts. In Weeks v Everything Everywhere Limited, the claimant was dismissed after making posts that compared his employer to Dante’s Inferno.

“Everything Everywhere Limited (EEL) employed Mr Weeks as a customer service adviser. Its social media policy warned employees to avoid making posts that could damage EEL’s reputation or be viewed as bullying and harassment.

“Mr Weeks frequently made Facebook posts that likened EEL to Dante’s classical portrayal of Hell, such as “Dante’s awaits me – what a downer 12 hours of love and mirth“. Ms Lynn, one of his colleagues, reported these comments to Mr Groom, his line manager. Mr Groom formally warned Mr Weeks to stop posting in this manner.” […]    –Julie Keir, Brodies, March 29, 2013

Categories: Digital Media, Written Word
Tagged with: 2013, Employment, Facebook, Hell, Inferno, Jobs, Legislation, Punishment, United Kingdom

The Social Network of Dante’s Inferno

July 10, 2019 By Gabriel Siwady '19

“The first product coming out from this crazy idea was “The Social Network of Dante’s Inferno“, presented in the 2010 edition of the “Arts, Humanities and Complex Networks” symposium of NetSci and then published in a 2011 special issue of the Leonardo journal. In this work we were moved by the question: is a network of characters following some particular predictive patterns? If so: which ones?

“So we took a digital copy of Dante’s Inferno, where all interactions and characters were annotated with extra information (who the character was, if she was a historic or mythological figure, when she lived, …). We then considered each character as a node of the network. We created an edge between two characters if they had at least a direct exchange of words. Normal people would call this “a dialogue”.

“The double-focus point of the Commedia emerges quite naturally, as Dante and Virgilio are the so-called “hubs” of the system. It is a nice textbook example of the rich-get-richer effect, a classic network result. But contrary to what the title of the paper says, we went beyond that. There are not only “social” relationships. Each character is also connected to all the information we have about her. There is another layer, a semantic one, where we have nodes such as “Guelph” or “Middle Ages”. These nodes enable us to browse the Commedia as a network of concepts that Dante wanted to connect in one way or another. One can ask some questions like “are Ghibelline characters preferably connected to historic or mythological characters?” or “what’s the centrality of political characters in the Inferno as opposed to the Purgatorio?” and create one’s own interpretation of the Commedia.” […]    Michele Coscia, Michele Coscia, 12 December, 2013

Categories: Odds & Ends, Written Word
Tagged with: 2013, Digital Humanities, Ghibelline, Guelph, History, Humanity, Inferno, Paradiso, Poetry, Politics, Purgatorio, Technology, Virgil

The 9 Circles of Hell On Social Media

July 9, 2019 By Gabriel Siwady '19

“Welcome to Dante’s Inferno for the 21st Century.” […]    Michael Blackmon, BuzzFeed, October 13, 2013

Categories: Consumer Goods, Written Word
Tagged with: 2013, Circles of Hell, Hell, Inferno, Social Media, Technology

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Coggeshall, Elizabeth, and Arielle Saiber, eds. Dante Today: Citings and Sightings of Dante’s Works in Contemporary Culture. Website. Access date.

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