Merrill’s collection of poems includes one, “The Book of Ephraim,” which is an account of “conversations held, via the Ouija board, with dead friends and spirits in ‘another world.'” –Stephen Spender, The New York Review of Books, December 21, 1978
Karl Marx, “Das Kapital” (1867)
Ending his preface to the first edition of Das Kapital, Marx states the following:
“I welcome every opinion based on scientific criticism. As to the prejudices of so-called public opinion, to which I have never made concessions, now, as ever, my maxim is that of the great Florentine: ‘Segui il tuo corso, e lascia dire le genti.'” –Karl Marx, Capital: A Critique of Political Economy, trans. Ben Fowkes, ed. David Fernbach, Fowkes, and Ernest Mandel (New York: Penguin Classics, 1976), p. 93.
As the editors note, Marx actually altered Dante’s words for his own purposes. The original line, Purgatorio V 13, is as follows: “Vien dietro a me, a lasica dir le genti.”
Henry Wadsworth Longfellow, “Mezzo Cammin” (1842) and “Divina Commedia” (1867)
The title, “Mezzo Cammin,” takes its name from the first line of the Inferno. Longfellow, the first American to translate Dante’s Commedia into English, “was 35 when he wrote this poem, halfway through the scriptural lifespan of 70 years.”
Additionally, Longfellow wrote six sonnets, entitled “Divina Commedia,” which were composed during the grief-filled aftermath of his second wife’s death.
“The six sonnets. . .were written during the progress of Mr. Longfellow’s work in translating the Commedia, and were published as poetical fly-leaves to the three parts. The first was written just after he had put the first two cantos of the Inferno into the hands of the printer. This, with the second, prefaced the Inferno. The third and fourth introduced the Purgatorio, and the fifth and sixth the Paradiso.” —Representative Poetry Online (retrieved on July 7, 2009)
Samuel Beckett, “More Pricks Than Kicks” (1934)
“More Pricks Than Kicks is a collection of short prose by Samuel Beckett, first published in 1934. The stories chart the life of the book’s main character, Belacqua Shuah, from his days as a student to his accidental death. Beckett takes the name Belacqua from a figure in Dante’s Purgatorio, a Florentine lute-maker famed for his laziness. . . The opening story, ‘Dante and the Lobster,’ features Belacqua’s horrified reaction to the discovery that the lobster he has bought for dinner must be boiled alive. ‘It’s a quick death, God help us all’, Belacqua tells himself, before the narrator’s stern interjection to the contrary: ‘It is not.'” —Wikipedia
Nick Reding, “Methland: The Death and Life of an American Small Town” (2009)
“Think globally, suffer locally. This could be the moral of Methland, Nick Reding’s unnerving investigative account of two gruesome years in the life of Oelwein, Iowa, a railroad and meatpacking town of several thousand whipped by a methamphetamine-laced panic whose origins lie outside the place itself, in forces almost too great to comprehend. . .
In the grisliest passage of Methland, which deserves to be quoted at some length so as to convey its hellish momentum, he invites us to share in the torments of Roland Jarvis, a paranoid small-time meth cook, in the Dante-like interlude after the combustion of his improvised home lab (just one of hundreds in the area).
‘Jarvis looked down and saw what he thought was egg white on his bare arms. It was not egg white; it was the viscous state of his skin now that the water had boiled out of it. Jarvis flung it off himself, and then he saw that where the egg white had been he could now see roasting muscle. His skin was dripping off his body in sheets. . . . He’d have pulled the melting skeins of skin from himself in bigger, more efficient sections but for the fact that his fingers had burned off of his hands. His nose was all but gone now, too, and he ran back and forth among the gathered neighbors, unable to scream, for his esophagus and his voice box had cooked inside his throat.'” [. . .] –Walter Kirn, The New York Times, July 1, 2009
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