“Hell, Heaven and Hope: A Journey through life and the afterlife with Dante is now open to the public in the Palace Green Galleries at Durham. The exhibition features a fabulous range of copies of Dante’s works, as well as contemporary artwork. Alexandra Carr’s Empyrean features as part of the section of Paradise. Completed as part of Alexandra’s Leverhulme Trust Artist in Residence programme, the sculpture represents the spheres of the medieval universe, drawing on Grosseteste and Dante: sculpting with light on the grandest scale in the creation of the universe.” —Ordered Universe, December 4, 2017
Waiting for Dante by Roger Williamson
“It was then she appeared, Beatrice, she who would show me, just in time, the illusion of the beast and the spell to return it to the glass.
Virgil, who was able to bring me into this world but not out of it, because of his own self imprisonment in it, began to fade from view and as he paled so Beatrice seemed to absorb his substance and morphed into my new guide.” –Roger Williamson, Saatchi Art, October 24, 2015
Paradiso After Dante by Emma Haworth
Paradiso After Dante by Emma Haworth.
Garry Shead Online Art Gallery
Online gallery of artist Garry Shead’s Divine Comedy inspired work.
Check out our original post on Garry Shead here.
Bob Cimbalo at Other Side
“The Other Side, the neighbor and partner of South Utica’s popular Café Domenico, is currently hosting a ‘damned’ good show: a series of paintings depicting scenes from the Inferno, the first volume of the celebrated trilogy by the Italian poet Dante Alighieri.
The poem is organized into 34 cantos or chapters, and it describes the (fictional) journey Dante took through hell, his first stop on a three-volume tour of eternity that eventually landed him in paradise.
Bob Cimbalo, one of the region’s most accomplished artists, created one very engaging painting for each of Dante’s 34 Inferno cantos — an impressive artistic feat now on display for the first time in many years.
[. . .]
In Cimbalo’s depiction, the leaden cloaks of the hypocrites are strikingly stiff and angular, which to my eye immediately makes them look like they’re fashioned of metal— in contrast to other depictions of this scene, including one by the famous illustrator Gustave Doré, whose cloaks of these damned look much more like ordinary cloth. In Cimbalo’s depiction, you immediately sense the weight they’re carrying, even before you know what his painting is meant to depict.” –Phil Bean, Observer Dispatch, March 16, 2020
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