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Citings & Sightings of Dante's Works in Contemporary Culture
By lsanchez
By lsanchez
“Periodicals: The most frigid and judgmental part of the library. If you even think of talking or breathing above a whisper, you will be violently shushed (and maybe shanked).” –Caroline Brown, North by Northwestern, February 22, 2016
By lsanchez
“The Uffizi is providing Dante-centric artworks for the major exhibition Dante. The Vision of Art held in Forlì from March 12 to July 4, 2021.
The show is part of the nationwide celebrations for the 700th anniversary of the death of Dante Alighieri, but also aims to symbolize the rebirth of Italy and the art world.
The project is based on an idea by Eike Schmidt, director of the Gallerie degli Uffizi, and Gianfranco Brunelli, director of major exhibitions of the Fondazione Cassa dei Risparmi di Forlì, while Professors Antonio Paolucci and Professor Fernando Mazzocca are the show curators. The decision to hold the exhibition in Forlì is part of an overall strategy to promote the area that acts as a natural bridge between Tuscany and Emilia-Romagna. Dante sought refuge in Forlì in the Autumn of 1302 after leaving Arezzo. The poet stayed with the city’s noble ruling family, the Ordelaffi, for more than a year.
Several works will be loaned to Forlì by the Uffizi, including Andrea del Castagno’s portraits of Dante and Farinata degli Uberti, which are not usually not public view in Florence, given their placement in the San Pier Scheraggio church, which is where the council met on which Dante once served. A second Dante portrait, by Cristofano dell’Altissimo, will be displayed in the Forlì exhibition. Pontormo’s Exile from Paradise and a Michelangelo’s drawing depicting a doomed man in Divine Comedy’s Inferno, in addition to a selection of fine sketches by Federico Zuccari for the 500th illustrated edition of the text. Other highlights include a marble bust of Virgil by the eighteenth-century sculptor Carlo Albacini, and the nineteenth-century canvas by Tuscan proto-romantic Nicola Monti, titled Francesca da Rimini in the Inferno.” –Editorial Staff, The Florentine, July 10, 2020
By lsanchez
“Soon, the world will be able to see an extraordinary film based on Dante Alighieri’s literary masterpiece, the Divine Comedy – Inferno, Purgatory, and Paradise. Dante’s Hell is the first slate of a vibrant and historic documentary trilogy, which could be the blockbuster of the year. Not until now, has this story been told so descriptively by visual art from artists of the highest caliber and an array of celebrities and known scholars.
Dante’s Hell, produced and directed by Boris Acosta, is a compelling four-quadrant and spectacular documentary like no other, presented as a visual and narrative journey to Inferno. Dante’s Hell is a rare and unique film featuring an amazing international cast such as Eric Roberts and Franco Nero, among more than 30 celebrities, scholars and artists from Italy, US, UK, including Monsignor Marco Frisina from The Vatican.” —Global Film Sales, WFMZ-TV 69 News, June 23, 2020
By lsanchez
“Albert Merola Gallery at 424 Commercial St. [Provincetown, Mass.] is happy to present its first exhibition of 2020 from June 12 to July 1 — paintings by Michael Mazur. The exhibition’s title, Gathered at the Edge of Light, comes from a passage early on in Dante’s Inferno. It is appropriate in many ways, not least of which is that Mazur deeply studied Dante’s masterwork, and had a deep love of all things Italian. One of his major accomplishments was the epic illustration of the Inferno. He made drawings, monoprints, and a complete suite of etchings, illustrating the story of Dante and Virgil’s journey through Hell. This accompanied the translation done by Robert Pinsky, a United States Poet Laureate and dear friend of Michael and Gail Mazur.” —Wicked Local, June 10, 2020
See our previous post on Mazur’s work here.
All submissions will be considered for posting. Bibliographic references and scholarly essays are also welcome for consideration.
Coggeshall, Elizabeth, and Arielle Saiber, eds. Dante Today: Citings and Sightings of Dante’s Works in Contemporary Culture. Website. Access date.